Spotlight on: Mia Marlowe and …

Touch of  Seduction Series!

Touch of a Lady [Prequel]

TOAL MMTristan’s grandfather lost the family fortune and the Devonwood earldom still hasn’t recovered under his father’s tenure. In order to save the estate from disaster, Tristan is determined to wed the daughter of a duke. Lady Florence’s dowry is reputedly hefty enough to sink a frigate, so Tristan will shoulder the family’s burden, even if it means a loveless match.

When he first lays eyes on Delphinia Preston, he knows she’s trouble in a gorgeous blue dress. Despite the rumors about her being a half-gypsy witch, there’s something about the grey-eyed beauty that calls to Tristan. And he can’t keep himself from answering, even if it means wrecking all his carefully laid plans…

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Touch of a Thief [Book I]

TOAT MMLady Viola Preston can relieve a gentleman of the studs at his wrists without his being any the wiser and pick any lock devised by man in less than a minute. But she’s careful to wear gloves when she steals jewels. Because when Viola touches a gemstone with her bare skin, it “speaks” to her, sending disturbing visions–visions almost as unsettling as the sight of the cool-eyed stranger who catches her red handed.

Now Viola will only be stealing at Greydon Quinn’s behest. And even more daunting than the violent history of the red diamond he’s after is the prospect of a night in the devastatingly handsome lieutenant’s arms. Touch has always been Viola’s weakness, and the full body-to-body contact Quinn has in mind is about to shatter her defenses and set her senses reeling.  

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Touch of a Rogue [Book II]

TOAR MMJacob Preston has three requirements for a woman desiring access to his bed: She must be enthusiastic in affairs of passion, jaded in matters of the heart, and–to ensure the first two qualifications–she must be married.

Lady Julianne Cambourne has all the makings of a passionate lover, and she certainly shows no signs of sentimentality. . .but her unmarried status should render her firmly off limits to Jacob.

Instead, it proves only a temptation. One that grows stronger when she comes to him in desperation, looking for the kind of answers only he can give. For beyond his rakish reputation, Jacob is known for the mysterious–even otherworldly–power of detection he commands through his sense of touch. And Julianne, surrounded by long-hidden secrets that threaten to ensnare her in a deadly trap, will do whatever it takes to recruit his skills. . . using every form of persuasion at her disposal. . .  

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Touch of a Scoundrel [Book III]

TOAS MMGriffin Nash, Earl of Devonwood, wants to believe that he’s seducing Miss Emmaline Farnsworth out of protectiveness for his young brother. After all, if his brother is convinced that the tantalizing professor’s daughter is unworthy of his trust, perhaps Teddy will lose all interest in such an inappropriate choice for his station.

But in truth, something else motivates Devonwood: a scintillating vision he’s had of a future tryst with the lovely Emmaline. A vision too realistic to be doubted–and too scaldingly passionate to be denied.

Yet Emmaline is not as easily tempted as Devonwood might have hoped–nor is she actually in pursuit of a wealthy husband. No, the real reason for her visit to the manor is something much more shocking. . . though being enticed by a dashing earl may prove to be a most welcome by-product of her schemes. . .

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Mia MarloweMia Marlowe’s Bio: Award winning author Mia Marlowe writes historical romance for Kensington Publishing and Sourcebooks. Her debut title received acclaim from romance luminaries. #1 New York Times bestseller Victoria Alexander says Mia’s Touch of a Thief has “adventure and heat and everything I want in a great story!” UK’s BooksMonthly has crowned Mia Marlowe “the queen of saucy historical romance.”

Mia learned much of what she knows about storytelling from singing. A classically trained soprano, she won the District Metropolitan Opera Auditions and shared a stage with Placido Domingo. As she prepared for operatic roles, she devised back stories for her characters. Since she’s worn a real corset, and had to sing high C’s in one, she empathizes with the trials of her fictional heroines. But in Mia’s stories, they don’t die in a Parisian garret. They get to live and keep the hero!

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